Robert Mangold
Robert Mangold’s paintings, derived from the idea of geometry and asymmetry in shape and form, challenge the limits of the two-dimensional medium, beginning with his early works, which featured irregular canvases of varying sizes spray-painted in unobtrusive browns and tans. Mangold has been associated with Minimalism, however he also recalls sources from Ancient Greek pottery to Renaissance frescoes. For example, in his “Column Structure” paintings (2005-06), the artist demonstrated the evolution of his signature asymmetrical canvases into a vertical plane, evoking classical architectural elements; the delicate and muted stain contrasting the precision of his geometric shapes.
Untitled II
2007
Etching and aquatint
35.25 x 24 inches (sheet)
Publisher, Simmelink/Sukimoto Editions, Kingston, NY
Catalogue raisonné, Senior & Shopmaker 2007.01.02
Edition of 30 plus 10 artist proofs
Signed and numbered in pencil
$6,000
Multiple Panel Paintings, 1973-1976
1992
Screenprint (Suite of 9 prints on Fabriano paper)
11.75 x 24 inches
Publisher, Edition Domberger, Filderstadt, Germany & Parasol Press, NY
Catalogue raisonné, Senior & Shopmaker 1977.02, Parasol RM12
Edition of 300
Signed and numbered in pencil
SOLD
Untitled I
2007
Etching and aquatint
35.25 x 24 inches (sheet)
Publisher, Simmelink/Sukimoto Editions, Kingston, NY
Catalogue raisonné, Senior & Shopmaker 2007.01.01
Edition of 30 plus 10 artist proofs
Signed and numbered in pencil
SOLD