![Blue, Red-Orange, Green](https://images.squarespace-cdn.com/content/v1/5c313a49cef3725fb5257b75/1564095421611-FPVS7Q70QRAR5ZP0UZ46/Kelly+Blue+Red+Orange+Green+1970.jpg)
![Untitled (Green Curve)](https://images.squarespace-cdn.com/content/v1/5c313a49cef3725fb5257b75/1673454071446-ZNAJPUD2ZTZ1V8OKA2S3/Ellsworth+Kelly+Green+Curve+1996.jpeg)
![Untitled](https://images.squarespace-cdn.com/content/v1/5c313a49cef3725fb5257b75/1659719044774-MB1ZO8RNIZG82AZN4NS1/Kelly+signature+and+Gemini+stamp.jpg)
![Yellow over Yellow](https://images.squarespace-cdn.com/content/v1/5c313a49cef3725fb5257b75/1665065633914-G063SJG6N9XR1MP8EW3A/Kelly+Yellow+over+Yellow.jpg)
![Red Form for Cahiers d'Art](https://images.squarespace-cdn.com/content/v1/5c313a49cef3725fb5257b75/1656261118604-TEDIB5W1KJFJJ0HTG007/Kelly+Red+Form+2012.png)
![Cyclamen IV](https://images.squarespace-cdn.com/content/v1/5c313a49cef3725fb5257b75/1656261053508-YZEXGM11LA3F1KLSJ5UU/900c59455475a155776170afecaab183.jpeg)
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Since the beginning of his career, Ellsworth Kelly's emphasis on pure form and color and his impulse to suppress gesture in favor of creating spatial unity have played a pivotal role in the development of abstract art in America. A major influence on Pop Art, Minimalism, hard-edge and color field painting, Ellsworth Kelly’s best-known works are distinguished by sharply delineated shapes flatly painted in vivid color, such as Colors for a Large Wall (1951). His abstract paintings are inspired by the interplay of light, space, and color in the architecture around him. In contrast, Kelly’s automatic drawings feature delicate outlines of bodies and flora.
Since the beginning of his career, Ellsworth Kelly's emphasis on pure form and color and his impulse to suppress gesture in favor of creating spatial unity have played a pivotal role in the development of abstract art in America. A major influence on Pop Art, Minimalism, hard-edge and color field painting, Ellsworth Kelly’s best-known works are distinguished by sharply delineated shapes flatly painted in vivid color, such as Colors for a Large Wall (1951). His abstract paintings are inspired by the interplay of light, space, and color in the architecture around him. In contrast, Kelly’s automatic drawings feature delicate outlines of bodies and flora.
Blue, Red-Orange, Green
1970-71
Lithograph
42.5 x 30 inches (sheet)
Publisher, Gemini G.E.L. Los Angeles, CA
Printer, Gemini G.E.L. Los Angeles, CA
Catalogue raisonné, Axsom 75
Edition of 64
Signed and numbered in pencil
$23,000
Untitled (Green Curve)
1996
Lithograph
16 x 19.5 inches (sheet)
Publisher, Gemini G.E.L. Los Angeles, CA
Printer, Gemini G.E.L. Los Angeles, CA
Catalogue raisonné, Axsom 272; Gemini G.E.L. 1702
Edition of 75
Signed and numbered in pencil
SOLD
Untitled
1997
Lithograph
22 x 25 inches (sheet)
Publisher, Gemini G.E.L. Los Angeles, CA
Printer, Gemini G.E.L. Los Angeles, CA
Catalogue raisonné, Axsom 274; Gemini G.E.L. 1709
Edition of 56
Signed and numbered in pencil
SOLD
Yellow over Yellow
1964-65
Lithograph
35.25 x 23.5 inches (sheet)
Publisher, Maeght, Paris
Catalogue raisonné, Axsom 25
Edition of 75
Signed and numbered in pencil
SOLD
Red Form for Cahiers d'Art
2012
Lithograph
12.5 x 9.5 inches (sheet)
Publisher, Cahiers d’Art, Paris
Catalogue raisonné, Axsom
Edition of 75
Signed and numbered in pencil
SOLD
Cyclamen IV
1964-65
Lithograph
35.5 x 24.25 inches (sheet)
Publisher, Editeur Maeght, Paris
Printer, Imprimerie Maeght, Levallois-Perret, France
Catalogue raisonné, Axsom 39
Edition of 75
Signed and numbered in pencil
SOLD